Sunday, 11 August 2013

T29 - Arts and Crafts

Arts and Crafts are industrial arts.  They fall into two main categories: pragmatic wares in daily use and ornaments for display. 

Different styles of arts and crafts developed because of difference in historical pasts, geographical environment, economic conditions, traditional culture, technological levels, tribal customs and aesthetic viewpoints.  Chinese arts and crafts, which have a long history, show different varieties and many distinct folk characteristics.

Arts and crafts utilize various and extensive raw materials including bamboo, straws, wood, cloth, mud and paper; and to some special and valuable materials like ivory, jade, gold and silver.  The main products could be made carved, woven, embroidered articles, pottery and lacquered ware.  Within each sub category, there are also numerous specifications.   
 
In conjunction with the National Arts and Crafts Exhibition at the Art Museum, the Ministry of Posts and Telecommunications of PRC selected 10 representative pieces of arts and crafts as the design and released a set of ten stamps on August 26, 1978.
 
 
(10-1) 4 fen, Giant lion (cloth toy)  大狮子 (布玩具)
(10-2) 8 fen, Pot in shape of a three-legged sheep (pottery)  三脚羊提壶 (陶器)
(10-3) 8 fen, Rhinoceros (lacquer ware)  犀牛 (漆器)
(10-4) 10 fen, Kitten' s head (embroidery)  小猫头 (刺绣)
(10-5) 20 fen, Green flowers basket (weave)  绿花提篮 (编织)
(10-6) 30 fen, Pot in shape of a peacock (cloisonne)  孔雀壶 (景泰蓝)
(10-7) 40 fen, Round plate with lotus design and black swan shaped box (lacquer ware)
                           荷花圆盘、黑天鹅盒 (漆器)
(10-8) 50 fen, Dragon flying in the sky (wood carving)  飞跃 (木雕)
(10-9) 60 fen, The rising sun in the eastern sky (jade craving)  旭日东升 (玉雕)
(10-10) 70 fen, Flying to the human world (ivory carving)  奔向人间 (牙雕)


(10-1)【Giant lion (cloth toy)】 The design of the lion is exaggerated.   Wide open eyes in its huge head make it look as courageous, lively and robust.   The contrast between the lion and the cute little chicken on the bottom right makes the art design more interesting and meaningful.   The bright red colour background adds some warm and active tone to the stamp.

(10-2)【Pot in shape of a three-legged sheep (pottery)】Pottery is made of sticky clay (sometimes with addition of quartz).   The production process includes modeling, drying and baking (sometimes glazed).   The bright, tender, plump and smooth kettle is a combination of application and appreciation.   The sheep is designed uninhibited and lively; looking mild and obedient.   Lastly, it was displayed on a piece of green paper, symbolising the endless grassland.

(10-3)【Rhinoceros (lacquer ware)】 Lacquer ware is one of the major categories of arts and crafts in China.  Since the earliest lacquer ware, many creations in terms of design, grain, application and techniques have emerged.  Lacquer ware has been sold widely in many parts of the world.   The Lacquer ware Rhinoceros is an imitation of the Gold and Silver Grained Bronze Rhinoceros in the Warring States Period.   It looks solid, thick, strong and powerful as if it contained endless energy.   Its pose is very lifelike while its dark green body is as smooth as a mirror.   Lastly, the dark coloured background makes the bright rhinoceros more impressive, adding a kind of artistic effect to the stamp.

(10-4)【Kitten' s head (embroidery)】The recorded Chinese embroidery history dated back to 4,000 years ago.  The flowers and patterns on embroidery are formed through the movement of needles.  Su embroidery (Suzhou), Xiang embroidery (Hunan), Shu embroidery (Sichuan) and Guang embroidery (Guangdong) are regarded as "the four famous embroideries".  Each of which has its own strong points and varieties in both colour and design.   Besides these famous four, there are many other kinds of embroideries, including the minority tribes.  This workpiece called little kitty's head is Su embroidery.   The lovely looking kitty looks so lively - its soft and sheen hair, its red tender nose and bright eyes.

(10-5)【Green flowers basket (weave)】China has a weaving history of more than 7,000 years.  These artificial products are exquisite in designs and extraordinary in techniques. The products can be classified into six categories on the basis of raw materials used - straw weaving, bamboo weaving, willow weaving, rattan weaving, palm and palm leaves weaving.  The products range from baskets, plates, hats, shoes, mats, toys and bags.   Some products are made for practical use while others are just for appreciation.
 
(10-6)【Pot in shape of a peacock (cloisonne)】 The delicately and complicatedly made cloisonne enamel is one of traditional Chinese arts and crafts.   It is magnificent in design;  beautiful in pattern and colour;  complicated in making.  Peacock pot is an exaggerated artistic work based on a peacock model.   The pot mouth is the head and neck of the peacock; the pot body is a pair of peacocks in ribbon shaped with beautiful plume textures, which contain scale-shaped traditional texture and modern plume texture.   The coral red colour of the pot is complimented by blue, green and golden yellow colours.

(10-7)【Round plate with lotus design and black swan shaped box (lacquer ware)】 The lotus circular plate is made in the traditional technique: embossed lacquer.   The design on the plate is beautiful, lively, multidimensional, crystal clean, with the beauty of relief sculpture.   The flower looks more beautiful with the green lotus leaves at the background.    The variation of brightness and dark shade of green colour makes the lotus look more lovely and bright.   The black swan shaped box compliment the design, as though a swan swim beside a lotus. 

(10-8)【Dragon flying in the sky (wood carving)】Wood, jade and ivory carvings are three traditional carving arts.  Wood craving can be used for building or furniture decoration or finishing.  Types of craving include bas-relief (浮雕), cavo-relievo (沉雕), intaglio (通雕) and circular carving (圆雕), etc.

(10-9)【The rising sun in the eastern sky (jade craving)】 This jade carving made full use of natural pretty colour of agate.   The blue and green part of agate is carved into splashing waves on the surface of the sea.   The existing transparent red ball in the jade formed the wonderful picture of rising red sun out of the sea.   The light orange red colour in the jade and the light green and blue colour of the background look like morning sky.   This elaborate rare piece of art is considered as a masterpiece worthy of being handed down to later generations.

(10-10)【Flying to the human world (ivory carving)】This marvellous workpiece combines the techniques of engraving balls and those of carving figures.  A complete piece of ivory is used in making this product.   With 41 layers, this special workpiece can spin easily because all other layers are engraved hollow except the outside layers, which are surrounded by "Ruyi" (S-Shaped ornamental objects) shaped in auspicious clouds.   The fairy maidens yearn for human world, waving their sleeves in the air.   They look so real and so lively.   This workpiece shows the superb craftsmanship of Chinese ivory carving.

T29 – Arts and Crafts  工艺美术
Issue Date: 1978.8.26
Serial Number:T29
Scott Number:1423-1432
Michel Number:1433-1442
Number of stamps in Set:10
Denomination:4 fen for stamp 1
8 fen for stamp 2, 3
10 fen for stamp 4
20 fen for stamp 5
30 fen for stamp 6
40 fen for stamp 7
50 fen for stamp 8
60 fen for stamp 9
70 fen for stamp 10
Quantity of Issue:25,000,000 fen for stamp 1, 2, 3
15,000,000 fen for stamp 4
500,000 fen for stamp 5
250,000 fen for stamp 6, 7, 8, 9, 10
Perforation:P11 X 11½ for stamp 1, 3, 5, 7, 9
P11½ X 11 for stamp 2, 4, 6, 8, 10
Sheet Composition:50 (5 X 10) for stamp 1, 3, 5, 7, 9
50 (10 X 5) for stamp 2, 4, 6, 8, 10
Size of stamps:40 X 30 mm for stamp 1, 3, 5, 7, 9
30 X 40 mm for stamp 2, 4, 6, 8, 10
Designer:Deng Xiqing 邓锡清
Printing Process:Photogravure
Printing House:Beijing Postage Stamp Printing Works

Saturday, 10 August 2013

T28M - Galloping Horses Souvenir Sheet

This souvenir sheet depicted six galloping horses from a painting by Xu Beihong.  This painting of six galloping horses was 95 cm long and 181 cm wide and was painted in 1942, at a friend's house in Liangfengya (凉风垭), Chongqing.  

The Chinese inscription on the painting "壬年大暑悲鸿" told of the time the painting was done.

The stamp design is flanked by silver gray laciness, which enhances the Chinese painting's style and makes the design more elegant.


Counterfeit

As the price of this souvenir sheet has appreciated very much, there are many counterfeits of this souvenir sheet in the market.  Some of the counterfeits look almost like the real one, but upon close scrutinization, some of the minute differences are:

1. The Chinese inscription "壬年大暑悲鸿" can be seen clearly upon magnification on the real SS, but it is not clear on the counterfeit.

2. The galloping horses are clear on the real SS, but not as clear on the counterfeit.

3. There are only small patches of brown colour (for soil) under the horses on the real SS, but more patches of brown colour on the counterfeit.

4. The grey colour at the side or flank of the stamp is a darker shade on the counterfeit.

5. Gum is even on the real SS, but not as even on the counterfeit.

T28M – Galloping Horses  奔马
Issue Date: 1978.5.5
Serial Number:
T28M
Scott No.:
1399
Michel No.:
1409
Number of stamps in Set:
1
Denomination:
500 fen
Quantity of Issue:
250,000 
Perforation:
P11½ X 11
Size of Souvenir Sheet:
148 X 98 mm
Size of stamp:
90 X 40 mm
Original Artist:
Xu Beihong  徐悲鸿
Designer:
Liu Shuoren  刘硕仁
Printing Process:
Photogravure
Printing House:
Beijing Postage Stamp Printing Works

Friday, 9 August 2013

T28 - Galloping Horses

Xu Beihong (徐悲鸿) was primarily known for his shuimohua (水墨畫, Chinese ink paintings) of horses and birds.  He was also regarded as one of the first to create monumental oil paintings with epic Chinese themes - a show of his high proficiency in an essential Western art technique.

The famous Chinese painter Xu Beihong (1895-1953) was born in Yixing, Jiangsu Province.  Xu Beihong began studying classic Chinese works and calligraphy with his father Xu Dazhang (徐达章) when he was six, and Chinese painting when he was nine. 

Xu Beihong went to Tokyo in 1917 to study arts.  When he returned to China, he began to teach at Beijing University's Arts school at the invitation of Cai Yuanpei (蔡元培).  In 1919, Xu started his study of oil painting and drawing at the École Nationale Supérieure des Beaux-Arts (ENSBA), the distinguished National School of Fine Arts in Paris, France.  After his study, Xu's travel around Western Europe allowed him to observe and imitate Western art techniques.

Xu returned to China in 1927 and, from 1927 to 1929, gained a number of posts at institutions in China, including teaching at National Central University (now Nanjing University) in the former capital city Nanjing.

After the founding of the People's Republic of China in 1949, Xu became president of the Central Academy of Fine Arts and chairman of the Chinese Artists' Association.  After his death on September 23, 1953, the Chinese government built the Xu Beihong Memorial Hall in memory of his contributions to art.

The T28 stamp set of 10 and souvenir sheet, issued on May 5, 1978, were selected from Xu's drawings at the Xu Beihong Memorial Hall.  Most of the drawings were done during the 2nd World War Period, symbolizing the fighting spirit of the whole nation against invaders.


(10-1) 4 fen, Galloping Horse 
(10-2) 8 fen, Galloping Horse 

(10-3) 8 fen, Galloping Horse 
(10-4) 10 fen, Galloping Horse
(10-5) 20 fen, Galloping Horse
(10-6) 30 fen, Galloping Horse
(10-7) 40 fen, Galloping Horse
(10-8) 50 fen, Galloping Horse
(10-9) 60 fen, Galloping Horse
(10-10) 70 fen, Galloping Horse

(10-1)【Galloping Horse】This painting was completed in 1951, at Xu's residence in Beijing.  The Chinese inscription on the painting “山河百战归民主,铲除崎岖大道平" meaning "Hundred of battles lead to democracy, levelling of  bumpiness gives wide avenue".  This painting was done to glorify the setting up of People's Republic of China, expressing love and hope for the future of the new nation.

(10-2)【Galloping Horse】This painting was completed in 1945.  The Chinese inscription on the painting "敷孟吾兄教之,卅四年岁阑悲鸿" meaning "Xu received a teaching from a freind Ren Fumeng (任敷孟) when he was at age 34".

(10-3)【Galloping Horse】This painting was completed in June, 1948.  The Chinese inscription on the painting "卅七年六月悲鸿想象汉时盛世天马涞从西极陟流沙九夷服", showed Xu's excitement on the Liberation of China.  He equated the new era to the Han Dynasty when the nation was in prosperity and the minority frontier tribes all paid tribute to the Han Dynasty.

(10-4)【Galloping Horse】 This painting was completed in 1942, during the heights of the Sino-Japanese War.  The Chinese inscription on the painting "水草寻常行处有,相欺效死得长征" reflected Xu's strong sentiment against the Japanese invaders.

(10-5)【Galloping Horse】 This painting was completed in 1941, at Penang, Malaysia.  In order to help the refugee of wars back in China, Xu held four arts exhibitions in South-East Asia and donated all earnings back to China.  The Chinese inscription on the painting "辛巳八月悲鸿时客槟城" meaning "August 1941 Xu at Penang".  

(10-6)【Galloping Horse】 This painting was completed in 1941, at Chongqing, in a small wooden hut.  At that time, Xu was teaching at National Central University and his paintings were fetching good prices.  Xu lived a simple life as he had used most of his money to help the poor and sick peoples.  The Chinese inscription on the painting "问汝健足裹何用,为觅生刍尽日弛"  meaning "Why you tied your strong feet? Use them to work, seek and to run".

(10-7)【Galloping Horse】 This painting was completed in the summer of 1942.  The Chinese inscription on the painting "壬午夏悲鸿" told of the time of the painting. 

(10-8)【Galloping Horse】This painting was completed in May, 1941, at Singapore.  The Chinese inscription on the painting "自新先生雅教。骋容与兮,距万里兮;安匹兮,龙为友。甘八年五月。星洲客中遣怀悲鸿", which gave the time and purpose of the painting, and also expressed the artist's lofty aspirations. 

(10-9)【Galloping Horse】This painting was completed in October, 1939.   The Chinese inscription on the painting "己某卯十月悲鸿", gave the time of the painting.

(10-10)【Galloping Horse】This painting was completed in winter of 1944 at Chongqing.   The Chinese inscription on the painting "卅七年冬至悲鸿客重庆" gave the time and place of the painting. 

T28 – Galloping Horses  奔马
Issue Date: 1978.5.5
Serial Number:
T28
Scott No.:
1389-1398
Michel No.:
1399-1408
Number of stamps in Set:
10
Denomination:
4 fen for stamp 1
8 fen for stamp 2, 3
10 fen for stamp 4
20 fen for stamp 5
30 fen for stamp 6
40 fen for stamp 7
50 fen for stamp 8
60 fen for stamp 9
70 fen for stamp 10
Quantity of Issue:
25,000,000 fen for stamp 1, 2, 3
15,000,000 fen for stamp 4
500,000 fen for stamp 5
250,000 fen for stamp 6, 7, 8, 9, 10
Perforation:
P11½ X 11 for stamp 1, 2, 3, 4, 5, 6
P11 X 11½ for stamp 7, 8, 9, 10
Sheet Composition:
50 (10 X 5) for stamp 1, 2, 3, 4, 5, 6
50 (5 X 10) for stamp 7, 8, 9, 10
Size of stamps:
30 X 40 mm for stamp 1, 2, 3, 4, 5, 6
40 X 30 mm for stamp 7, 8, 9, 10
Original Artist
Xu Beihong  徐悲鸿
Designer:
Liu Shuoren  刘硕仁
Printing Process:
Photogravure
Printing House:
Beijing Postage Stamp Printing Works